OCT

clip made by Julia Jacklin New solo Australia tour dates on sale now: https://www.juliajacklin.com/ Where to hear it - https://smarturl.it/JuliaJacklin_SC Lyrics I loved it there that city held me don’t you know that everything changes inside the dream a case for wanting don’t you know that everything changes everything changes when the time comes will you get on that flight? I got a feeling I won’t do it alone I got a feeling but everything changes everything changes everything is changing everything is changing I loved it there that city held me I got a feeling I won’t do it alone it’s just a feeling though Written by - Julia Jacklin Guitar and vocals - Julia Jacklin Guitar - Jacob Diamond Bass - Jennifer Aslett Drums - Chris Wright Engineer - Ryan Brennan Producer - Ryan Brennan Mastering - Guy Davies

perf.&produced by Raveen dir.&shot by cB prod.&engineered by Austin Tufts starring Rowan Grice car&chauffeured by hanna Lyrics: You may twirl a thousand times in winter In your best summer dress And I may tailor so precisely my blue smile So as to never give you me at my best But me at my best is tired And me at my best decides And me at my best is trying To pull up from the bottom With something more than just my breath But I’m alright But I’m alright And the darkness, consuming Is all I need to find my light But I’m alright I tear up from nothing to arrive At an opening that is fraying a little more each time But I go inside to stitch, repair and fix the ties So as to keep you from ever being satisfied

"If You Want It" by Benjamin Lazar Davis Written by Benjamin Lazar Davis and Sarah K Pedinotti Benjamin Lazar Davis: vocals, guitar, mellotron, prepared piano, moog, drums Lars Horntveth: lap steel, bass clarinet, prepared piano Video Directed and Edited by Benjamin Lazar Davis Shot by Benjamin Lazar Davis and Johnny Frohman Madeleine MacGillivray Wallace as: Woman

WE HAVE REACHED THE OTHER SIDE AND SINCE WE HAVE EMOTIONS Directed by Clara Marguerat Music by The Psychotic Monks Shot on Paris (FR) metro line 13 Photographs by Ramat "Closure" by The Psychotic Monks, taken from "Private Meaning First" (available on November 27th 2020 - Fat Cat Records / Vicious Circle Records) Toute exploitation commerciale ou promotionnelle de cette vidéo est strictement interdite. Merci. Every commercial or promotional exploitation of this video is strictly forbidden. Thank you. Follow Clara Marguerat : Website ► http://www.claramarguerat.fr/ Instagram ► https://www.instagram.com/margueratclara/ Follow The Psychotic Monks : Instagram ► https://www.instagram.com/thepsychoticmonks/ Facebook ► https://www.facebook.com/ThePsychoticMonks/

'Lift It Down,' the unearthed album by Children of the New Dawn leader Jeremiah Sand, is out now. https://www.sacredbonesrecords.com/products/sbr239-jeremiah-sand-lift-it-down Video directed by Úna Blue http://instagram.com/una_blue In 1974, Jeremiah Sand and his nascent cult The Children Of The New Dawn decamp LA for the Shasta Mountain region and Redding, CA. They set up shop, begin printing leaflets, hold gatherings and start growing their ranks through recruitment. Jeremiah and the Children are not necessarily an odd addition to Redding in 1974. Since the 1930s, psychonauts and spiritual seekers have been drawn to this area in Northern California under the shadow of the dormant volcanic cone of Shasta. By 1974, urban California hippies worn down by direct political engagement with state security forces have started drifting North and the towns along the border with Oregon state are filled with ad-hoc spiritual organizations, commune builders and lost souls. Jeremiah and the Children fit right in. A few years prior to assembling his flock, Sand had self produced and released an album of psych-folk that was unremarkable in almost every way, save for the unrelenting vanity and egoism on display in the lyrics. This early album is one of the only existing documents of Sand. The commercial failure of the album became the catalyst for Sand to leave Southern California and settle in a place where his "truth" would be "received by pure and open hearts". By mid 1974, the Children have grown in rank and Jeremiah becomes obsessed with recording "his masterpiece"...a musical message to the world, communicating a “Truth” that only he has been given spiritual access to. This project becomes the central focus of the Children. His lieutenant Brother Swann overhears that there is a small recording studio just North of the city. He arrives one day at the reception with a large gym bag full of cash and instructs the owner to cancel all sessions on the books. The studio will now focus on one thing and one thing only: helping Jeremiah realize his vision. Tents and rough structures appear on the surrounding property as the Children make the studio and its grounds their new home. They hold recruitment meetings where Jeremiah evangelizes in between endless recording sessions. The owner and his staff begin to feel as though they're being held hostage but the money is good and the Children keep paying. Overpaying. This goes on for years. New members drift into the sessions. A disgraced professor from the Electro Acoustic Music program at Evergreen state arrives with a full Buchla system he's "liberated" from the university, Jeremiah is entranced by it and for a few weeks the only sounds coming from the studio are blasts of atonal, corroded noise underpinned by ominous chanting. The mood changes. The town begins to turn against the Children. A few people have gone missing. Some teenagers. A studio engineer. By the Spring of 1977, the entire session has broken down into hallucinogen and cocaine fueled chaos. Bad vibrations. One night in early March, after a particularly grueling mixing session, the producer and owner of the studio is startled awake by an extremely agitated looking Brother Swann. Swann is sweating and wild eyed, casually holding a gun, explaining to the producer that "plans have changed" and that Jeremiah has "heard a calling and a Great Summons". They are leaving. All of them. That night. Swann directs the producer to put the existing reels in a lock box along with a short 16mm film, lyrics, album art and scribbled notes. Swann tells the producer Jeremiah will be back to finish his masterpiece. It all goes in the box and it's not to be opened until the Children return. They never do. In 2018, wildfires rip through Redding, CA and burns it to the ground. Over a thousand of homes are incinerated. One rough structure north of the city is partially saved. There's a massive concrete basement filled with smoke and water damaged recording equipment and in the back...a lockbox. No one knows who originally took the tapes out of the charred ruin of the studio but in a few months, a very strange album is making the rounds in the more esoteric circles of the underground. A long and confusing chain of custody ensues. A lost artifact of the transitional period between the late 60s and late 70s. A flawed and malignant sounding unfinished thing, clearly the product of a psychotically inflated ego and hubris. The album is by turns: amateurish, haunting, deranged, ridiculous and (for those attuned to these things) filled with crackling negative psychic energies. So much so that Light In The Attic flat out refuses to reissue it. Eventually, it lands in Calebs lap and Sacred Bones decides to restore the audio and give it a general release all in the name of preserving a historical document of a very weird place and a very weird time.

"KO Kid" from the debut self-titled album from Lupin out now on Grand Jury/Transgressive. Listen: https://lupin.lnk.to/kokid Digital Order/Save: https://lupin.lnk.to/lupin Vinyl Order: https://merch.ambientinks.com/collections/lupin Art Direction by David Kramer Video by Karla Mellett FOLLOW LUPIN http://www.lupinmusic.com TW: @lupin_ IG: @lupin

"The Shining But Tropical" from Wild Pink, available now on Royal Mountain Records. A Billion Little Lights out February 5th, 2021. Stream/Download: smarturl.it/abillionlittlelights Credits: Starring - Annie Murphy Director / Editor - Justin Singer Producer - Kate Elliott Producer - Menno Versteeg Director of Photography - Mike McLaughlin Ronin Operator - Scottie Watson AC - Ryan McIntyre Colourist - Ana Escorse Colour Facility - Studio Feather Processing - Colorlab Titles - Katya Romanova Special thanks to Patrick Murphy and extended family for the beautiful setting. Lyrics: Back when your mind was wild you Hallucinated, you were terrified With the storm that was coming your way The plan was to float away Face down In the San Francisco Bay On a clear blue day Where from way up high the coast is a crisp line And all the microscopic life like a billion little lights Become a single living thing All beginning from a single cell And now I can’t unring the bell And I want to remember every single thing Just not who I used to be Picked your poison with the best of them Now you slap their question from your face You want peace you want love You deserve that much Weeping through the show about space Your lily hand was pressed to the screen You were free but you were stuck for years You could sing but you had nothing to say You want peace you want love You deserve that much

A song about the overly entitled and underwhelmed. Director // Joey Chriqui Producer // SAVTA Production Coordinator // Heather Strange Director of Photography // Joshua Echevarria Asst. Camera // Jake Shapiro Production Asst. // Sylvea Suydam Makeup Artist // Katheryn Shearing Post-Production // SAVTA Edit // Joey Chriqui, Saad Khan Titles // Stéphane Rodriguez Color // Kath Raisch Thank you to The Footlight and Kodak Film Lab NY Listen to 'Mine': https://smarturl.it/gustaf_mine On Spotify: https://smarturl.it/gustaf_mine/spotify On Apple: https://smarturl.it/gustaf_mine/applemusic Preorder the 7 Inch: https://smarturl.it/gustaf_mine/royalmountainrecords Follow Gustaf: https://www.facebook.com/Gustafnyc https://www.instagram.com/gustaf_nyc