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JUL

TWS July 2020 W4
METZ - A Boat to Drown In [OFFICIAL VIDEO]
08:36

METZ - A Boat to Drown In [OFFICIAL VIDEO]

"A Boat to Drown In" by METZ from their album Atlas Vending (Release Date: 10/09/2020) https://smarturl.it/METZ_AtlasVending METZ - https://www.metzztem.com/ Youtube - https://www.youtube.com/user/METZtheband?sub_confirmation=1 Facebook - https://www.facebook.com/metz/ Instagram - https://www.instagram.com/metz_theband/ Twitter - https://twitter.com/METZtheband On Sub Pop - https://www.subpop.com/artists/metz Sub Pop Records http://www.subpop.com MegaMart https://megamart.subpop.com/ Twitter https://twitter.com/subpop Facebook https://www.facebook.com/subpoprecords Instagram https://www.instagram.com/subpop SoundCloud http://soundcloud.com/subpop Podcast http://subpop.fm/ Subscribe To Sub Pop's YouTube Channel https://www.youtube.com/c/subpop/?sub_confirmation=1 LYRICS Hold on tight We’re leaving at midnight And if we don’t leave now we’re not getting out alive Feel the air expand and retract, the future lasts forever Let the crowd sink to the ground, there’s nothing left to hold you back Dead eyes, life in your hands now And if you see headlights man you better run for cover Hands tied, throw the old plan out Because I need to leave this place now more than ever I can see it now Jesus Christ, I see the city lights Crashed through the pearly gates and opened up my eyes Feel the air expand and retract, make your boat to drown in Hear the sound touching the ground There’s nothing here to hold you back Dead eyes, life in your hands now And if you see headlights man you better run for cover Hands tied, throw the old plan out Because I need to leave this place now more than ever I can see it now CREDITS Director: Tony Wolski Production House: Former Co. Producer: Dylan Reminder Editor: Randall Kupfer (Former Co.) Director of Photography: Aaron Jones ACs: Henry Joy IV (Stopped Motion) & Jordan Payne Steadicam Op: Madelyn Momano Drone Pilot: Jordan Payne Art Director: Trevor Naud Gaffer: Joel Hale Stylist: Kayleigh Waterman HMU: Naomi Zeman Data Manager: Jordan Payne Recordist: Scott Loudon Projectionist: Jon Hudson Board Op: Dave Reynolds PA: Jenna Price Post Producer: Toni Del Duco (Former Co.) Edit and VFX: Randall Kupfer (Former Co.) Colorist: Jaime O’Bradovich Color House: Company 3 Flame Artist: Kevin Jones Audio Mix: Andrew Smetek Featuring Kayleigh Waterman, Ray Rivard, Cara Drolshagen, Nolan The Ninja, Gulley, Michael Segal, Stuart Litt and Dan Greene. Special thanks to Chris Slorach, Alissa Atkins, Jamie Farkas, Seder Burns, Hussein Bazzi, Scotia Lighting & Grip, Renee Dettling, Art Haab, Kevin Cislo, Bill Reminder, Gabriel Hall (New D Media), Stuart Litt (Hygrade Deli), The Cooper Family and Noah Roszczipka. #METZ #AtlasVending #ABoatToDrownIn
Girl Friday - Public Bodies [OFFICIAL VIDEO]
04:45

Girl Friday - Public Bodies [OFFICIAL VIDEO]

"Public Bodies" from Girl Friday's album Androgynous Mary (Release Date: 8/21/2020) Order/Listen Here: smarturl.it/GirlFriday_AM Girl Friday https://girlfridaytm.com Twitter: https://twitter.com/girlfridaytm Instagram: https://www.instagram.com/girlfridaytm Facebook: https://www.facebook.com/elgirlfriday BandCamp: https://girlfridayband.bandcamp.com Subscribe to Hardly Art's YouTube Channel: http://www.https://www.youtube.com/user/hardlyartrecords Hardly Art Records: http://www.hardlyart.com Facebook: http://www.facebook.com/hardlyartrecords Twitter: https://twitter.com/hardlyart Spotify: https://open.spotify.com/user/hardlya... Soundcloud: https://soundcloud.com/hardlyartrecords Director: Gussie Larkin Country where video was produced: New Zealand Editor: Ezra Simons Director of Photography: Ezra Simons Animation/Props Assistants: Annabel Kean and Callum Devlin Makeup artist: Lara Daly //LYRICS// Does the average man feel like he’s on the outside? I got a friend who said he’d kill to taste the high life At the church they kicked us out ‘cause we were useless But we were trying, just looking for something to reach us Eight more days in this goddamn place and I’m leaving When I say I’m in pain, they don’t believe it All these bodies ‘round here seem to be aging too fast If you want your independence, then you trade your health for cash I’m afraid of everything that’s passed All these bodies ‘round here have been spat out the machine Smoke on lungs and gas stations spit fire by the sea And everyone’s saying I’m a little bit sick, but I’m just thinking of you Like I do Does the average man fall down talking to strangers I got a friend who said he’d kill to taste the danger Lying on the bed, mama kiss my head, they’re gonna take me away from here All these bodies ‘round here seem to be aging too fast If you want your independence, then you trade your health for cash I’m afraid of everything that’s passed All these bodies ‘round here have been spat out the machine Smoke on lungs and gas stations spit fire by the sea And everyone’s saying I’m a little bit sick, but I’m just thinking of you Like I do Let her be her mother’s only daughter Let her put her head under the water Let her sweat the sickness off her palms Let her take the jewelry off her arms #GirlFriday #PublicBodies #AndrogynousMary
TWS July 2020 W3
King Gizzard & The Lizard Wizard - Honey (Official Video)
04:38

King Gizzard & The Lizard Wizard - Honey (Official Video)

Directed, Edited & Photographed by John Angus Stewart - http://www.johnangusstewart.com, https://phcfilms.com Produced by Max Coles - https://phcfilms.com Camera Operated by Euan Kelly and John Angus Stewart Colour by Bella Walker - https://www.bellaqwalker.com/ Amby: Harmonica Cavs: Drums, Percussion Cookie: Piano Joey: Bass Stu: Guitar, Vocals, Percussion, Keyboards, Bass, Clarinet, Organ Recorded and mixed by Stu Mackenzie Mastered By Joe Carra You taste like honey. All warm and runny. Kinder than a candy. Effervescent shandy. Days are ever sweeter when I wake up near ya. The world we’re in is broken and you’re the magic potion. Like the wind on a sail I’ll steer you along and the germs outside I’ll keep you from. Like the hail in the morn’ I’ll sing you a song while the mead I make can brew for you. You taste like honey. You taste like honey. You taste like honey… Life is what you do in it while you’re floating through it. Cut the rope some slack then while we get the knack of it. We’re endless motion. Drink to that notion. Buoyant is your spirit. Gotta keep me near it. Like the wind on a sail I’ll steer you along and the germs outside I’ll keep you from. Like the hail in the morn’ I’ll sing you a song while the mead I make can brew for you. You taste like honey. You taste like honey. You taste like honey… You taste like honey. You taste like honey. You taste like honey… Life is what you do in it while you’re floating through it. Cut the rope some slack then while we get the knack of it. Days are ever sweeter when I wake up near ya. The world we’re in is broken and you’re the magic potion.
TWS July 2020 W2
Bully - Every Tradition [OFFICIAL VIDEO]
03:27

Bully - Every Tradition [OFFICIAL VIDEO]

"Every Tradition" by Bully from their album SUGAREGG (Release Date: 8/21/2020 on @subpop) https://smarturl.it/Bully_SUGAREGG Bully - http://www.bullythemusic.com/ Facebook - https://www.facebook.com/bullythemusic Instagram - https://www.instagram.com/bullythemusic Twitter - https://twitter.com/Bully On Sub Pop - https://www.subpop.com/artists/bully LYRICS Forgetting all that comes with space Like your hello I still retrace and I Think unknowing you is the hardest thing I ever had to do It’s like pressure to have a baby When I don’t want one in my body You say my mind is gonna change one day But I felt this way forever some things Stay the same, I stay the same If you’re gonna shame me Turn around bite your tongue till it bleeds Don't need you to save me Somethings off you’re wrong about the dream And I’ve been fucking up Wasting my time second guessing what I need I dunno what you want It’s evocative, you’ve so convincing Yeah I hear you but Nothings changed for me, nothings changed for me You beat yourself up wondering why I won’t take a vow I don’t even wanna try And you say my mind will change one day But right now feels like I’m okay and If you’re gonna shame me Turn around bite your tongue till it bleeds Don’t need you to save me Somethings off you’re wrong about the dream And I’ve been fucking u Wasting my time second guessing what I need I dunno what you want It’s evocative, you’re so convincing Yeah I hear you but Nothings changed for me Nothings changed for me I never put the blame on you I never put the blame on you I never put the blame on you Not gonna battle It’s like pressure to have a baby When I don’t want one in my body It’s like dissociation with every tradition It’s like dissociation with every tradition It’s like dissociation with every tradition It’s like dissociation with every tradition Director: Alan Del Rio Ortiz & Alicia Bognanno Production Company: Reprobates Executive Producer: Doug Klinger Video Producer: Anna Heinrich Head of Production: Anna Heinrich Associate Producer: Eric Michael Kochmer Editor: Alan Del Rio Ortiz Director of Photography: Alicia Bognanno Associate Producer: Eric Michael Kochmer DIT/Camera Assistant: Derek Oxford #Bully #SUGAREGG #EveryTradition
FVLCRVM - Hate List
03:28

FVLCRVM - Hate List

The new FVLCRVM Single "Hate List" - Buy / Stream here: https://fvlcrvm.lnk.to/hatelist FVLCRVM's ode to the things he hates. The track sounds like a 90s Rave anthem meeting pop music in the future. Think Salvador Ganacci, Chet Faker & Dua Lipa making music on an afterhour in a Manchester warehouse. With his debut EP “attentioncore” in the pipeline, an upcoming Diplo & Friends Mix and recent praise from media outlets like Clash FVLCRVM is definitley on his way Follow FVLCRVM here https://fvlcrvm.com/ Instagram http://instagram.com/fvlcrvm Facebook http://www.fb.com/fvlcrvm Twitter http://twitter.com/fvlcrvm Produced by Filmaari Directed by Michal Blaško DoP: Adam Mach Production manager: Tomáš Zeman Editor: Marek Bihúň Color grading: Vladimír Bobenič Runner: Martina Gerbel ‘ Set design: Martina Šíraňová Prop assistance: Jozef Čabo, Michal Maľár 1st AC: Lukáš Kačerjak 2nd AC: René Kontúr AD: Matúš Ryšan MUAH: Ria Pontikis Stylist: Zuzana Laučíková 2nd camera operator: Radka Šišuláková Gaffer: Jozef Jančovič, Pavel Rýdzi, Krisztián Ollári Cast: Coach – Milan Jajcay Cheerleaders – Mira Hudecová, Viky Cintulová Ring Girl – Daniela Guljášová Comentator – Vladislav Vavro Referee - Ján Wűrschner Registration - Elizabeth Gazi Much Much 3 to Extras: Miloš Blšťák, Jana Hucová, Ivan Pavel Kozák, Jaroslav Kopilec, Eva Trubáčiková, Celesena Minichová, Tomáš Deák, Sára Juricová, Mário Dočekal, Daniela Fereje, Martina Repková, Lukáš Sabo, Denisa Ghaniová, Michal Tölgyessy, Liliana Nemečková, Marek Beňovič, Katka Miková, Matej Štefanovič, Šimon Vachálek, Karin Ortová, Tereza Mackovičová, Ivan Ďurkech, Simona Urminská, Juraj Mráz, Katarína Šanková LYRICS [Verse 1] Stupid birds chirping when I go to sleep Talking loud, Black Fridays, hearing people eat Talking 'bout your mortgage Sharing street knowledge Pubic hair in shower Being out of storage Guest-lists, dying battery, no find on Shazam Coke talks, vocal fry, checking stats on gram Selling stuff in stories Overdoing “sorries” Woken up by mama With a morning glory [Chorus] And waiting And loading The list goes on The list goes on The list goes on The list goes on And dealing Promoting The list goes on The list goes on The list goes on The list goes on [Verse 2] Synthheads, writing lyrics, gigs I don’t fit in Yotubers making music, garlic breath and gyms Big ass mid face pimple Toilets with no signal Uber driver's questions Complaining that you're single Ahead of time deliveries when I’m still asleep Hanging clothes, dishes, especially changing sheets Again washing dishes Calling girls bitches Cubical offices People too ambitious [Chorus] And waiting And loading The list goes on The list goes on The list goes on The list goes on And dealing Promoting The list goes on The list goes on The list goes on The list goes on [Bridge] Saxophone solo Saying no homo Talking about your weekend Selfie stick with GoPros Sock soaked in wet floor Ask me for tobacco My glasses being fogged up Special letters password Gnocchi, Lamborghini, Nike, Expresso Croissant, Focaccia, Kositsche, Jalapeño And waiting And loading [Chorus] The list goes on The list goes on The list goes on The list goes on The list goes on The list goes on The list goes on The list goes on, ey [Outro] Stop staring at your phone, girl When I'm answering your question, girl Girl! #FVLCRVM #HateList #attentioncore Music video by FVLCRVM performing Hate List. © 2020 FVLCRVM, under exclusive license to Universal Music GmbH, Austria http://vevo.ly/00xShD
TWS July 2020 W1
SOKO :: Oh, To Be a Rainbow! (Official Video)
03:54

SOKO :: Oh, To Be a Rainbow! (Official Video)

🌈 The gayest song i ever wrote just « came out » 🌈 Order my new album Feel Feelings here: https://lnk.to/sokoFFP Subscribe to my channel: https://soko.lnk.to/ytsub Listen to Soko's essentials here: https://soko.lnk.to/musicvideo A quarantine video shot in LA. Director: Soko Cinematographer: Alexis Zabe Editor: Alex Cherry Stylist: Lindsey Hartman Backdrop designs : Rand Sevilla PA:  Amanda Rose Colorist: Brian Skvarla Shot at Optimist Studios Produced by Patrick Wimberly Mixed by Chris Coady  Guitar, Keys, Percussion - Soko Guitar - Sean Lennon Drums, Guitar, Piano, Additional Production - Brad Oberhofer Bass - Patrick Wimberly Keys - Colin Caulfield Engineered by Miles BA Robinson Mastered by @gregcalbi @sterlingsound ============================ LYRICS You don’t need to save me baby I can save myself myself I don’t need your company baby But I could really use it now Oh my pillow princess Lay down and watch how I do it to you You will never go back to the other side You’re a rainbow now Oh, to be a rainbow ! I wanna be I wanna be I wanna be a rainbow  You don’t need to save me baby I can save myself myself I don’t need your company baby But I could really use it now It’s a chemical reaction Turned into gold I wanna see your smile through the tear drops And the sun through the rain again You’re a rainbow now Oh, to be a rainbow ! I wanna be I wanna be I wanna be a rainbow  Follow Soko: www.s-o-k-o.com www.facebook.com/soko Twitter / Instagram : @SokoTheCat #Soko #OhToBeARainbow
Little Dragon - 'Where You Belong' (Official Video)
03:37

Little Dragon - 'Where You Belong' (Official Video)

'Slugs of Love', out now on Ninja Tune: https://littledragon.lnk.to/slugs-albYo Taken from the album 'New Me, Same Us', out now on Ninja Tune: https://littledragon.lnk.to/new-meYo Subscribe: https://found.ee/ld-ys Director. Chris Saunders Executive Producer. James Covill (Believe Media UK) Producers. Shabana Mansuri & Chris Saunders Editor. Matt Newman (Trim London) VFX. Sam Aldridge and Felix Geen Colorist. Luke Morrison (ETC London) Performance section Sweden credits: Cinematographer: Tim O’Driscoll Production Assistant: Cesar Wehlander Supplied Footage Credits: Cinematographer Sweden Shoot: Footage shot by: Yukimi Nagano, Fredrik Wallin, Håkan Wirenstrand, Erik Bodin, Pether Lindgren, Sebastian Peña, Chris Saunders, John Alberico, Michael Saint Onge, Kristoffer Elfström, Anna-Klara Åhren, Christian Rossipal. Future Release Documentary Editor: Kristoffer Elfström Fan Art Credits: @drawren, @iamgracehwang, @tara_squad_ (Instagram handles) --------------------- An ode to their live performances and the energy of their shows the video comprises over 10 years worth of never before seen footage taken on the road, cut with a new live performance shot remotely in the band’s Gothenburg studios. It takes us through a visceral visual replay of the bands stories and memories, through captured personal moments and performances across the globe, all fragmented as if within the mind's eye, the visuals constantly interlinking with the present day performance. Created entirely in the last two months by an international team—with archive footage by the band and Swedish filmmaker Pether Lindgren collected, curated and edited into the video alongside a the new performance, filmed in Gothenburg and remotely directed by Chris Saunders from his home in Paris and edited by teams in London—the final results are a testament to what can be produced during the heavy restrictions of lockdown. Follow Little Dragon - Spotify: https://found.ee/ld-sp Apple Music: https://found.ee/ld-am Instagram: https://found.ee/ld-ig Facebook: https://found.ee/ld-fb Twitter: https://found.ee/ld-tw Youtube: https://found.ee/ld-yt Bandcamp: https://found.ee/ld-bc Soundcloud: https://found.ee/ld-sc #LittleDragon #NinjaTune #Music
WESLEY GONZALEZ - Did You Get What You Paid For?
04:31

WESLEY GONZALEZ - Did You Get What You Paid For?

Wesley Gonzalez's new album Appalling Human is out now on Moshi Moshi Records - https://moshimoshi.plctrmm.to/WGAP. On an album in which he confronts issues of the self, social anxiety and psychotherapy - alongside conducting character studies of complicated individuals - "Did You Get What You Paid For?" is a track which ties all of the record's main themes of recovery, family and vulnerability together. Wesley explains: "I wrote this, unsurprisingly, in a very dark moment. I tried to write a song that I would want to be played at my funeral. I thought "Do you all love me? Am I what you want? Did you get what you paid for?” - was a pretty good final statement. A good mix of tragedy and comedy - I wrote the music with that in mind as well it has to be said, but it had to have personality, I can’t die boring. I wanted to go with some swag." Turning pop sophisticate on Appalling Human, "Did You Get What You Paid For?" follows recent singles "Tried To Tell Me Something" and "Change". Ironically a more accomplished record than his 2017 debut Excellent Musician, here Gonzalez makes full use of a lithe band armed with an orgy of high-end synthesizers, all mixed for the dancefloor by James Greenwood (Ghost Culture, Daniel Avery, Kelly Lee Owens). Both its sound and emotional clout are huge. Continuing about the video, he adds: "I've had the concept for the video in the back of my mind since writing the track, the thought behind the song was "what song would I write to be played at my funeral?" Danny Nellis (Director) and I discussed it at length and then we came to a fork in the road due to the Pandemic. Digital artist Alex Jackson worked on the last video for Tried To Tell Me Something and when we were working on that I went through this idea with him so he could build CGI sets, I sent through photos I particularly liked of Southern Baptist Funeral Homes in the US, then Danny came up with a list of shots and we enlisted fans over the internet who had use of a camera and green screen, and got a really great response. It's been a joy working on this video, it is the closest thing to what I had in my imagination initially thanks to working closely with really close friends who could see the vision clearly too. All three of us are extraordinarily grateful to everyone who sent in footage and made the video what it is, the help of fans was vital in the production of this and it was fantastic to be in close contact with lovely people who cared about the project. And yes that is my mother kicking the f*** off at the end." Directed by Danny Nellis Set Design by Alex Jackson http://vevo.ly/V5gVWK

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