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Haiku Hands

Australian alt-dance trio Haiku Hands release their new album, Pleasure Beast, out today on Spinning Top Records.

Today, Australian alt-dance trio Haiku Hands (Claire Nakazawa, Beatrice Lewis, and Mie Nakazawa) release their highly anticipated second album, Pleasure Beast, via Spinning Top Records. The record is a sonic exploration of the different realms of Haiku Hands' minds, life experiences, energies, and beast modes–sometimes there's joy, and sometimes there's mayhem; sometimes four on the floor,, and sometimes a tropical island dream bath.

Other singles have been the thumping pop anthem 'Feels So Good', the adrenaline-fueled 'Ma Ruler' and the eletronic-punk dance floor cut 'Nunchucka'. Of 'Paradise', which was written in quarantine with Caleb Nott (Broods) Bea Lewis says, “I wanted this song to feel like a 3-minute holiday into another dimension. What it would feel like taking mushrooms and laying on a beach watching the sun go down, feeling the sand underneath your feet and feeling like the sky and the sea in front of you never ends." Haiku Hands are currently in the US joining Big Freedia and will be in the UK for a run of dates next January / February, bringing their nonstop live show – which Rolling Stone said is "unlike any other" and pairs Beastie Boys energy with wild choreo and costumery pulled from the most feverish rave of your imagination – to London, Glasgow, Manchester, Leeds, Nottingham, Brighton and Bristol (dates below).

“I want pleasure on my French toast / I am here to be, to be sexy and free.” What other electro-pop-rap manifesto starts with a declaration for sexy bread? What other album is the sonic manifestation of reaching into a grab-bag and feeling a mixture of crumbled leaves, Lego, and Lucky Charms? What other album artwork marries the Korean symbolism of the Tree of Life with Hokusai’s The Great Wave off Kanagawa basked in a glowstick sun? Welcome to Pleasure Beast: the incarnation of simple creatures with simple pleasures seeking peace in a world that wants to separate and divide. It’s the sound of umami at a rave. It’s the sweaty festival dancefloor as a public service. It’s the political act of writing and performing in the first place. It’s the forbidden bitter fruit that dares you to be human.

Pleasure Beast is also a proper introduction to Haiku Hands, the Australian collective of Claire and Mie Nakazawa and Beatrice Lewis.

The group, along with stage member Mataya Young, have put on some of the most hyped festival performances around the world—with a sound British Vogue calls part Scissor Sisters, Azealia Banks, Björk, and Warhol. And those are just the singles.

Their 2020 self-titled debut — a collection of singles including the big breakthrough 'Not About You' — soundtracked countless lockdown kitchen dance parties and earned the group several AIR Award nominations.

Pleasure Beast, however, is a proper and complete artistic statement, with the peaks and valleys of the records Claire, Mie, and Beatrice grew up on in the vein of Gorillaz, Beastie Boys, Dr. Dre, Björk, and Australian greats The Presets. Fighting the onslaught of the numbing algorithmic vibe, Haiku Hands dared to make a classic album. With the more dynamic and assertive Pleasure Beast, they’re ready to take you to the dancefloor — in this dimension or the next.

In many ways, Pleasure Beast is the blow-up of the Haiku Hands extended universe. With producers Joel Ma and Elgusto returning from the last album, Claire, Mie, and Beatrice conceived Pleasure Beast on a writing trip to Indonesia and embarked on writing sessions with some of today’s leading iconoclastic producers during a US tour in mid-2023 that included a stop at New York’s iconic Governors Ball Music Festival. Pleasure Beast features the likes of Motez, BroodsCaleb Knott, Paul Mac, Josh Fountain (BENEE, Ladyhawke), Dan Farber (Lizzo, Tkay Maidza), and TV on the Radio’s David Sitek, the guided hand (pun intended) behind classic albums by Yeah Yeah Yeahs and CSS.

Pleasure Beast also features Beatrice’s first credits on an album as a producer, as the group confidently guided the direction of these energized new songs. From studying Hermeto Pascoal playing flutes in streams, to the art of Brigitte Fontaine, Henry Miller, and Pedro Almodóvar, the collective explored different inspirations and gateways to approach their new music, now channeling the sonic and visual edges of The Knife and the punk ethos of Le Tigre. Rosalía, Four Tet, Nelly, Black Caviar, Zebra Katz, Stormzy, Channel Tres, and Hooligan Hefs were other north stars for Pleasure Beast. However, Haiku Hands didn't worry about sounding like their heroes. The most vital trait, like their heroes, was to be themselves.

Entering the world of Pleasure Beast through the French Toast-themed opener 'Pleasure', Haiku Hands take the listener on a journey akin to different hours and moods of a party. 'Feels So Good' is the heart of Pleasure Beast, with a massive singalong chorus tailormade to unite an entire festival crowd. 'Cool for You' recalls XTRMNTR-era Primal Scream, Chemical Brothers, and The Prodigy’s assaults on capitalism with songwriting that doesn’t get hung up with a verse-chorus-verse structure. 'To the Left' is an ode to the preciousness of time and the joys of simple things that connect us throughout life. 'Grandma' is a snarky clapback against the unquenchable capitalist beast that breeds the social sickness of “busyness,” making us feel like we’re never doing enough and keeping us away from what is most important in our brief yet precious lives.

The song’s titular line “Grandma said you’re gonna go far” also follows a Haiku Hands golden rule of songwriting: If a lyric makes them laugh, it stays in the song. The following track 'Chito' is another play on words meaning both a lady hustler and the American snack that came from the group’s obsession with Flamin’ Hot Cheetos while in the United States on their last tour. (The original chorus lyric: “Cheeto, Flamin’ Hot.”) Also, shout out to the dolphin sample in 'Paradise.' Dolphins make every song better.

With 'Ma Ruler' taking us to the chaotic final hours of the party, album closer 'Nunchucka' sends you home with the lingering message Haiku Hands want to leave with the listener: Stop looking elsewhere for what you want and enjoy your life. The capitalist and societal vampires will always come after us. But there’s the naughty and instinctive animal inside us all that can rebel and fight back. It’s a simple action, yet it’s the change we can all make today. A Haiku Hands song, record, and show might be the best space to unleash this animal. Not bad for a night out at the club.

Whatever it looks or sounds like, embrace your inner Pleasure Beast.

Photo credit: Bronte Godden


24th Jan | Glasgow, UK – Stereo

25th Jan | Leeds, UK – Brudenell Social Club

26th Jan | Nottingham, UK – Beta Room (Rock City Basement)

27th Jan | Manchester, UK – Canvas

1st Feb | Brighton, UK – Patterns

2nd Feb | London, UK – Oslo Hackney

3rd Feb | Bristol, UK – Thekla


29th Nov | Asheville, NC – The Grey Eagle

30th Nov | Knoxville, TN – Bijou Theatre

2nd Dec | Atlanta, GC – Masquerade (Heaven)

3rd Dec | Nashville, TN – Brooklyn Bowl Nashville

5th Dec | Washington DC – 9:30 Club

6th Dec | Philadelphia, PA – Brooklyn Bowl Philly

8th Dec | Brooklyn, NY – Brooklyn Bowl

9th Dec | Jersey City, NJ – White Eagle Hall

11th Dec | Boston, MA – Brighton Music Hall

2023/2024 AUS TOUR DATES

29th Dec | Moreton Bay Region, QLD – Woodford Folk Festival

31st Dec | Glenworth Valley, NSW – Lost Paradise Festival

15th Feb | Brisbane, QLD – The Zoo

16th Feb | Marrickville, Sydney, NSW – Warehouse Show

22nd Feb | Melbourne, VIC – Max Watts

Tickets here



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