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bdrmm

bdrmm release new Port EP, It features remixes by Daniel Avery, Working Men’s Club, A Place To Bury Strangers and more.

The EP is the Hull and Leeds-based band’s first major release since their debut album, Bedroom, which was hailed as a latter-day shoegaze classic when it came out in July 2020. ‘Port’, which was originally released as a single last October, marked a major step forward for the band. Sounding not unlike the Low of Double Negative or Hey What deconstructing The Temptations’ ‘I Know I’m Losing You’, it’s a much darker sounding song; its distorted drones and beats burst into life with frenzied guitar and howls of anguish.

“It helped us consider the band in a much more fluid perspective,”

says bassist and synth player Jordan Smith of the pivotal track.

“Swapping instruments and redefining roles gave us time to spend working on new and more intriguing sonic ideas.”


This new experimental and more electronic approach was expanded as the standalone single release grew, almost accidentally, into a full EP, which features radical reworkings by Daniel Avery (a fearless, all guns blazing techno stomper); Working Men’s Club (New Order’s ‘Sub-Culture’ meets a long-lost early Warp Records classic); A Place To Bury Strangers (a feedback frenzy of total sonic annihilation); Tom Sharkett from Manchester krautpoppers W.H. Lung (DFA Records goes down to the death disco); Jonathan Snipes from LA-based experimental hip-hop trio Clipping (glitchy beats imploding into

a wall of white noise); and Jordan himself, as Mouth Company, who brings proceedings to a close with a slow-mo trip-hop treatment.


“The idea originally stemmed from us joking about Daniel Avery remixing one of our tracks one day and we just kind of went from there,”

explains singer Ryan Smith of the EP’s unusual genesis.


“We’d arranged a remix swap with A Place To Bury Strangers and then somehow managed to gather all these other incredible remixes over the space of a few months, and it seemed ridiculous not to release them as one piece of work.

It’s a real journey listening to them individually, but back-to-back it really is something.”

He’s right, the seven tracks hang together perfectly, like the best kind of mixtape, despite each one being so different from the next.

“I think the sparseness of the original mix gave a fair amount of versatility to whoever wanted to mess around with the stems,” adds Jordan. “I think that shows in the final EP – six completely idiosyncratic mixes that we all fell in love with.”


“To have so many influential artists to us putting their own piece of DNA on what has become such an important track to us is so humbling,”

gushes Ryan.

“It’s brand new territory for us, and we just feel so lucky to have everybody involved.”

Photo by Katherine McKenzie


bdrmm support shoegaze legends Ride on their UK tour later this month and have lined up a number of other shows and festival dates throughout the year. They play the following:


April 21 – Sheffield – Foundry (with Ride)

April 22 – Norwich – The Waterfront (with Ride)

April 23 – Oxford – O2 Academy (with Ride)

April 24 – Bristol – Marble Factory (with Ride)

April 26 – Glasgow – SWG3 (with Ride)

April 27 – Newcastle – Boiler Shop (with Ride)

April 28 – Manchester – O2 Ritz (with Ride)

April 29 – London – Roundhouse (with Ride)

May 28 – Bristol – Dot to Dot Festival

May 29 – Nottingham – Dot to Dot Festival

June 5 – Angers, FR – Levitation Festival

September 9-11– Asten-Heusden, NL – Misty Fields Festival

November 10 – Galway – Roisin Dubh

November 11 – Cork – Winthrop Ave

November 12 – Limerick – Kasbah Social Club



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